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Entries from June 2010

In 1994, when Apartheid fell, black South Africans must have seen their hopes soar far beyond barbed-wire fences and absolute repression. Everything was suddenly possible. The world, their world, had just become a better place. 

Some 15 years later, as I ventured last March into Khayelitsha, second largest township in the  country after Soweto, I was forced to admit that if the world had become a better place, this wasn’t it. In the long, painful transition from radical racism to relative freedom, something, somehow, had gone terribly wrong.

Cape Town, jewel of the Western Cape and arguably one of the most beautiful cities in the world, is surrounded on all sides by extremely poor neighborhoods called townships. Khayelitsha was established in 1985 to deal with illegal settlement on the Cape Flats and after initially being populated by forceful relocation, it eventually became a top destination for willing settlers in search of work and education.

The numbers are quite staggering. As of 2010, an estimated 900,000 live in and around Khayelitsha. It is composed of three different kinds of dwellings, categorized as formal, informal and illegal informal. The former are also called Mandela houses; they are single-room, often brick-and-mortar, small rectangular houses built by the authorities after Mandela promised housing for the people. They usually have power and water.

Informal settlements are given a very basic lot-based water supply in the form of a toilet shack with a water tap and people are left to build their living quarters around, either in solid materials or tin sheets.

Last and least, illegal settlements appear here and there, often on public space such as highway sides and have no utilities whatsoever. If I remember correctly, the law states that they must be displaced by the authorities within 90 days or they become legal.

The very disturbing thing about townships is that, just like in our  fancy First World cities even if on totally different scales, extreme poverty can be seen clashing with relative wealth. Satellite dishes abound. Electricity is either distributed officially or tapped into illegally but TV’s are part of the township’s everyday life and the outside world erupts into each house, riding on radio waves and full of unattainable glamor.

Our guide Thabang, good friend and son of Selina, one of the nicest, kindest woman I know on this silly little planet of ours, runs a small tour company, Ezizwe Travel and Tours. He has specialized in township tours, having been brought up in one himself. For hours, he drove us in and around Khayelitsha in his Volkswagen Kombi, trying to give us a sense of what life can be for 90% of the South African population.

I am not sure I got it. It was all very surreal. The daily existential reality in townships is so far remote from my own experience of life that I could at best stare and wonder. Understanding would take months if not years. Accepting, even longer.

The daily existential reality in townships is so far remote from my own experience of life that I could at best stare and wonder

Marie and I were also quite uncomfortable with the very reason for our presence. It wasn’t voyeurism, we had actually dreaded the visit for some time. But having never truly explored a township, we felt like our South African experience was that of ostriches, our heads firmly stuck into the sand, refusing hard to see the darkest side of things and focusing solely on a very privileged white-only way of life.

But as we cruised through the townships, stopping here and there to interact with locals under the very calculated supervision of our guide and watched as he rewarded them on the spot with small amounts of money, turning our visit into a tourism initiative and their hospitality into simple business deals, we couldn’t help but to feel embarrassed and guilty.

Despite a thorough awareness of the potential benefits of tourism for any undeveloped, poor or isolated area, I felt like the visitor of a zoo or circus. The township limits are indeed a cage, no longer restricting movement but certainly locking out opportunity. Such a cage must make for endless sadness and the likely eradication of free will, a combination likely to tame the wildest people.

We visited Vicky’s B&B, a  modest yet well furnished bed and breakfast, set right in the middle of the township and obviously catering to the most adventurous visitors. They had internet and a plasma TV, won in some contest and placed in the center of the common room. A girl gave us a well rehearsed speech about the premises and encouraged donations. The effort was there.

We drank locally brewed beer in a dark shack with a row of men sitting opposite us on low benches, watching us from the shadows with impenetrable gazes, as the huge beer bucket ritually got passed around the room and we were forced to take a single sip of the warm, frothy and bitter liquid than had absolutely nothing in common with the beer I know. Thabang explained that one paid R6 (under a dollar US) when first walking in and would then be allowed to return all day and drink. It cost R12 on week-ends. Marie remarked aloud that visiting on a week day was smarter. The men cracked up.

We paid a short visit to Ndaba, a Langa sangoma (or medicine man) who has setup his practice inside a container that’s become completely overtaken by hundreds of bizarre objects and potions. Marie bravely spoke to him about dreams and he dispensed his wisdom while waving a sacred switch through the air. When we left, men outside his door were trying to sell us souvenirs. One of them, sizing us up with highly trained eyes, saw my 200m Titanium Citizen Promaster dive watch and commented on it. We were back in modern times.

We watched ladies skinning, glazing and roasting sheep heads in the fierce sun, surrounded by blue smoke and the many undisclosed smells of poverty and decay

We watched ladies skinning, glazing and roasting « smileys » in the fierce sun, surrounded by blue smoke and the many undisclosed smells of poverty and decay. The smileys are discarded sheep heads obtained from local slaughterhouses for pennies and later sold at a profit, a fully cooked head costing R17.

We visited a school and interrupted a class or two, politely greeted by kids in clean uniforms. I noticed  very old computers in a corner. This was one of very few such schools. Dozens of kids attended. I have no idea what the remaining hundreds of thousands do with their days.

Marie and I both carried our cameras but were basically paralyzed. Neither one of us has much journalism training and we let our feelings and self-consciousness come before the requirements for matter-of-factly recording of our visit. The very few photos that accompany this post paint a rather incomplete picture of the townships. Some were taken earlier in the trip while driving through on the highway, much like taking pictures of the  Keys from a plane and pretending to have been to Florida.

I am left with a feeling of unease, and sadness. The tour was incredibly instructive. It was terribly depressing. It probably didn’t make any difference at all. We contributed a few dollars to the work of local craftsmen, and a few more, via Thabang, to the emerging tourism scene. So much remains to be changed. So little exists now to inspire township inhabitants, to let them hope and dream of practical goals rather than of mythical ones.

Apartheid might have been defeated but it left a legacy of chaos and high crime that many equate to having changed a dollar for four quarters. The racial barriers still stand, not so much in law and politics as on economic, demographic, geographic and social levels. The vast majority of South Africa’s black and colored people remain poor and uneducated. They are still hurting. They merely have acquired the right to do so freely.



 

 Posted at 6:50 PM in On the road: & Photoblogs: & South Africa: 7 Comments » Toggle display  Reply

Below are the humbling results of my first video shoot with the Canon 7D. It’s all quite laughable, really, since I am a complete amateur in this domain - and yet somehow, it feels promising and rather exciting, like the tip of an iceberg, its mass awaiting for me to commit, dive and explore...

Please keep in mind that while the 10 minute long, 50 MB streaming video below is highly compressed and shrunk to the Flash format, the H.264 full-1080p HD MPEG4 original is almost 1 GB in size. You are only getting a cheap preview of the amazing quality now achieved by video DSLR’s. The full-size footage actually outperforms DVD quality. If some of you have an HD TV or Blue Ray player, that’s more like it...

So, this was two weeks ago. I had set out to Coney Island for an afternoon, attempting to record glimpses of the place, its strangeness, its people, the recently reopened Luna Park, the ocean nearby, all soaking in a mixture of summer and heat and seaside smells.

Apart from the camera, I do not own much in terms of video-making equipment. Obviously that’s a serious handicap because if still photography requires very little extra gear, videography on the other hand demands for a considerable load of specialized tools to even dream of perfection. We are talking tripods, dollies, lights, grips, stabilizers, LCD screens, microphones, booms, etc.

Me, I’ve purchased a very reasonable Azden SMX-10 directional microphone, not being financially ready for a Rode VideoMic - and a little disheartened by its size. That day on Coney Island was quite windy and the SMX-10’s foam windscreen fought hard to keep the sound clear. I might have to double it up. Bottom line is, I’m better off than with the camera’s on-board mono microphone but still far from great audio.

Then there is the issue of fluid panning. While my Manfrotto tripod and the ballhead are fantastic for still photography, they do not replace a video head and make for rather lousy camera motion. Practice will help. In the meantime, I try to tighten the head just to the point where it starts seizing up, back down a touch, and hold the camera firmly while panning.

Of course, I made big initial mistakes, and learned a lot from them. My clips were all too short. I was filming for the scene duration I envisioned in the final movie and did not allow for editing and transitions. Note to self: add at least 5 seconds prior and after each clip.

Also, when it came to filming the guitar player, I only shot short clips one after the other, which means that at editing time I didn’t have a soundtrack to work with. I will not make that mistake again. Any time a soundtrack is necessary or interesting, I will first shoot a long uninterrupted clip for its audio, and then short additional clips from different angles - provided of course that the audio doesn’t change in between. This means that to film a song, for instance, I should probably spend about a third to half of its duration recording sound, and the rest shooting various angles. It’s nothing like filming a scene simultaneously with two cameras but hey, it’ll have to do...

My shutter speed was all over the place, too. With frame rate set to 30 fps (actually 29.97), I was experimenting with high speeds but as expected they make the footage look very synthetic, almost stroboscopic. I will now stick to the conventional 1/60th to 1/125th and step down my aperture accordingly, which will mean somewhere down the line investing in more neutral density filters to reduce depth of field in bright light.

The lenses performed well. My new 10-22mm makes for great wide-angle shots but logically doesn’t allow me to blur backgrounds much. The 55-250mm, however, even with a mere f4 maximum aperture, does a great job at this. Some of the shots have a rather movie-like limited depth of field, and the ability to shift focus forward or backwards inside of a scene, like when I clumsily went from the hands of the guitar player to the strange man in a white hat behind him, is just fantastic.

So just give me plenty more practice, a really interesting subject, lots of time at the editing table and I should be able to keep you all entertained... For now, turn your volume up, click on the thumbnail below and smile indulgently.



 

 Posted at 2:15 PM in Bits and pieces: & Photography: & Videography 4 Comments » Toggle display  Reply

Yesterday, on the green expense of a football field half-way around the globe, under the welcoming South African skies of the Free State, a stone’s throw away from Lesotho, the two countries dearest to my heart were facing each other, a checkered ball between them. One of them made me feel ashamed.

The French lost the previous FIFA World Cup at the last second because of a ridiculous bad-tempered head-butt. They had otherwise behaved and played masterfully. This year, they performed badly from the beginning and now take a shortcut to the Exit. I couldn’t care less. What makes me blush is Domenech’s arrogance in refusing to shake his rival’s hand after the match. No matter what the reasons were, when you are taking part in the world’s biggest professional sporting event, on international television, representing your country, your team and carrying the hopes of millions of fans, you play fair. Pompous ass. Quel con.

South Africans, on the other hand, and despite not having done much better on the winning field, seem to be doing a magnificent job at hosting the Cup despite much initial local worry and slow ticket sales. Kudos to them. The world is watching.

 

 Posted at 10:24 AM in On the road: & Other: 9 Comments » Toggle display  Reply

It would seem the fantastic emerging art of DSLR videography is going to challenge conventional photographers on concentration and focus levels, if you’ll pardon the pun. When I shoot stills, I immerse myself completely in the scene and think only in terms of photography. Composition, settings, technique, lenses and goals are all specifically photo - and thus single-shot - oriented. 

Video, however, ticks rather differently. It involves motion, time-lapse, the progression of a story and very different sets of techniques and settings. Suddenly, I find myself split and torn, pulled in two opposite directions, one that hunts for glimpses of a motionless world and the other hungry for the passage of time and the fluidity of movement. They conflict. And without much discipline, I’ll end up messing both up.

Out on Coney Island this week, I had intended to play on all sides, recording some video, shooting a 360 panorama and taking some stills too. I messed up the panorama. Too few stills were taken to make up a full post. And the video footage is still being studied via a very steep learning curve. It’s incredibly promising, though, and will eventually come off the editing board and onto these premises.

In the meantime, here’s a snapshot of New York in summertime.

 

 Posted at 12:32 PM in New York: & Photoblogs: 2 Comments » Toggle display  Reply

They just are there. Some at ground level, others perched on rooftops. 31 of them. They stand and they stay and they stare out of empty eye sockets, looking right through the crowds into a frozen parcel of eternity.

One can not avoid, when bumping into these iron men on the street or catching a glimpse of a silhouette high on a ledge, wondering what drove sculptor Antony Gormley to disseminate such anonymous statues around the Flatiron District.

Maybe they don’t mean anything more than what we carry up to them. Maybe they are us. Pondering our existence within the walls of a gigantic city, surrounded by many yet isolated in our quest for a reason to our presence in this world and a proof that the next one will be better.

 

 Posted at 5:13 PM in New York: & Photoblogs: No comments yet »  Post one!

Wandering around Times Square after work on a Saturday night, in a futile attempt to unwind, summer morning hours ticking past two then three, jacket in one hand and camera in the other, sweat pouring down my back, I let the zoo come alive around me and just watched curiously, mesmerized, tired.

 

 Posted at 2:17 PM in New York: & Photoblogs: 2 Comments » Toggle display  Reply

Well, it would seem many busy years have lapsed since I was last torturing my buttocks on a borrowed mountain bike, trying hard to keep up with my father- in-law Henri and to finish the 108 km long Cape Argus Pick n Pay Cycle Tour under a fierce South African sun.

But in fact that was only last March. Time flies like storks on their migratory journey, long pauses followed by mad dashes forward. No way to ever catch up. So much has happened since then that I can hardly keep track. I sit here today and wonder if I dreamt it all, the heat, the crowds, the cheering, the pain, the beauty, the coast, the baboons, the energy gels, the ferocious wind - and if I might ever do it again.

The fine Cape Argus folks back in Cape Town have been sending participants their certificates and suddenly, I thought I would post mine here, both to remind myself that it was all real, and that this parallel African world drenched in heat and covered in wonderful flowers actually exists - and also to once and for all put an end to any speculation as to whether or not I have an ego...

But really, 17,929th out of 28,976??? What was I doing out there, pedaling backwards?

Any way. Here’s to the timeless, ambiguous flirt of our two most conflicting emotions, pride and modesty.


 

 Posted at 2:49 PM in Schtroumpfissime: & South Africa: 5 Comments » Toggle display  Reply

Here's the result of some playtime with the Canon 7D. It's a 360°x180° panorama of Times Square, played in Flash. Of course there's much room for improvement - I need to refine my makeshift pano-head and locate the lens' nodal point* more precisely, but the modest result is fun and immersive. Make sure to click on the Full Screen button at the lower right of the preview below, and once in the real thing, you can click and drag the image in any direction, including up and down... Press Esc to exit Full Screen.

To view virtual tour properly, Flash Player 9.0.28 or later version is needed.Please download the latest version of Flash Player and install it on your computer.


Note: By referring to the nodal point, I seem to be subscribing to a popular panoramic photography misconception; the actual no-parallax point of a lens would be its entrance pupil, not the nodal point.

 

 Posted at 6:40 PM in + Panoramas: & New York: & Photography: 6 Comments » Toggle display  Reply

After Abe and Abetoo, my first two Digital Rebel DSLR’s, I am pleased to announce the arrival of Abegone, Canon 7D, fierce beauty and strong contender in the field of cropped sensor cameras and semi-pro leagues.

Canon 7D

For the record, my next announcement should be, within a year or two - provided that my budget follows my heart - a critical and  long awaited jump into the realm of full-frame sensors, probably with the yet hypothetical Canon 5D Mark III.

As some will remember, the initial nickname Abe was a short for the  French « Aberration chromatique » or chromatic aberration, a color fringing effect of cheaper lenses that manifests itself around lines of strong color difference in an image due to the failure of said lens to focus all colors to the same convergence point. I was, and still am to some extent using kit lenses of marginal quality and the term was an affectionate reminder that while the sensor quality was increasing, glass would remain the governing factor in final images.

Now the 7D is a magnificent beast, without any doubt the most extraordinary camera I have ever held in my hand. While Canon’s naming methodology remains a bit of a mystery to me, the 7D follows in the steps of the double-digit line - in other words the 20D, 30D, 40D and 50D cameras. It has much improved in most fields and beats the 50D by a long shot, thus opening in my opinion a new line rather than continuing the old one. It blurs in terms of quality, features and built, the boundary with the current single-digit line, although these are full-frames.

Abegone is hence a wink to the lens quality issue legacy, and represents a final page turned away from kit lenses and towards good glass. Having  longed for a real wide-angle lens for years, I decided to stay in the EF-S range a while longer and invested into a Canon EF-S 10-22mm f3.5-4.5 USM. Since I am likely to keep my 7D as a back-up body when I get a full-frame, the lens will remain along with it. My next investment might be a Canon 17-40mm L that would provide an average wide-angle zoom for my cropped sensor 7D and later give me a very wide-angle equivalent for the full-frame.

In the meantime, the 7D coupled to the 10-22mm have opened fascinating new doors to me. I cannot wait to take them on a real photo trip, but that will have to wait and I must experiment for now with New York as a modern, ultra-urban playground.

The 7D also features incredible HD video capabilities and I will be studying this new field hungrily, reacquainting myself with the long-lost love of movie making that was left behind when I gave up on my Sony Hi8 Digicam for lack of proper editing tools and software, not to mention time and raw computer power.

With a bit of savvy technique and discipline, one can now produce HD - or better than DVD - quality movies with a simple DSLR, and that is a revolution in itself. That it can be done so simply and with minimal tools, is incredible. I can’t promise that my results will rival those of professionally-shot movies, but hey, I am at last given the opportunity to try.

Stay tuned for much photography and some filming baby steps...


 

 Posted at 6:37 PM in Photography: & Reviews: & Videography 5 Comments » Toggle display  Reply

I must apologize to those of you depending on the forthcoming installments of this story to get your, err, daily dose of coffee and relaxation. A hectic work schedule has been keeping me up at night and dozing during the day when I should be  writing.

I will make this short and publish the following pictures without the thousand words they’re worth, and leave the rest to your imagination.

Our trip neared an end. We’d left the Mountain Zebra National Park and headed south, eventually reaching the coast and settling down for a camping night at the Tsitsikamma National Park, where we got reacquainted with civilization and tour buses.

We slept surrounded by tents and caravans, but with our nylon shutters facing nothing but ocean mist and under an immense canopy of magnificent southern stars. I walked around the campground at night and shot in the darkness, encouraged by a rising moon and the faint halo of distant tungsten lights. On long exposures, though, these registered like major spotlights.

The following day, we headed to George for a last sleep-over, ate Italian out with Bevan, enjoyed his hospitality ‘till mid morning and then got back behind the wheel and rallied Cape Town. That final leg concluded our 2010 Lesotho road trip. We had driven some 4000 kilometers on Southern African roads with more dust to account for than dirt, and more height than heat.

Our cartwheels had been automobile-launched as much as emotional. We’d driven up and sunk in. We’d climbed back up and free-wheeled down. We’d bounced and coughed and laughed and worried. We’d sweated and shivered. We’d explored and learned and been humbled by our own ignorance and wealth. We’d done our best to keep our eyes open,  our minds awake and our hearts, giving. At that, we’d failed, sometimes.

But we had, first and last and always, been there and done that. And always, we would take that back home with us, to eventually share it with you.

The world is infinitely precious and beautiful and diverse and shocking and stunning.  I don’t pretend to understand it all. But I sure love it, and I think you will too. Don’t just click on these images for a slideshow. Click on the button that says, somewhere, buy this ticket. Go. To a new place or an old one. No matter how near or far. Sometimes the most fantastic journey takes place in one’s own backyard.

It’s not the distance that matters, it’s the inner eye. Mine always amazes me, once it has shaken loose days and weeks and months and years of laziness. It actually sees lots of cool things. If only I could show them to you...

The end.


 

 Posted at 1:06 AM in + Lesotho Trip: & On the road: & Photoblogs: 16 Comments » Toggle display  Reply
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