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After Abe and Abetoo, my first two Digital Rebel DSLR’s, I am pleased to announce the arrival of Abegone, Canon 7D, fierce beauty and strong contender in the field of cropped sensor cameras and semi-pro leagues.

Canon 7D

For the record, my next announcement should be, within a year or two - provided that my budget follows my heart - a critical and  long awaited jump into the realm of full-frame sensors, probably with the yet hypothetical Canon 5D Mark III.

As some will remember, the initial nickname Abe was a short for the  French « Aberration chromatique » or chromatic aberration, a color fringing effect of cheaper lenses that manifests itself around lines of strong color difference in an image due to the failure of said lens to focus all colors to the same convergence point. I was, and still am to some extent using kit lenses of marginal quality and the term was an affectionate reminder that while the sensor quality was increasing, glass would remain the governing factor in final images.

Now the 7D is a magnificent beast, without any doubt the most extraordinary camera I have ever held in my hand. While Canon’s naming methodology remains a bit of a mystery to me, the 7D follows in the steps of the double-digit line - in other words the 20D, 30D, 40D and 50D cameras. It has much improved in most fields and beats the 50D by a long shot, thus opening in my opinion a new line rather than continuing the old one. It blurs in terms of quality, features and built, the boundary with the current single-digit line, although these are full-frames.

Abegone is hence a wink to the lens quality issue legacy, and represents a final page turned away from kit lenses and towards good glass. Having  longed for a real wide-angle lens for years, I decided to stay in the EF-S range a while longer and invested into a Canon EF-S 10-22mm f3.5-4.5 USM. Since I am likely to keep my 7D as a back-up body when I get a full-frame, the lens will remain along with it. My next investment might be a Canon 17-40mm L that would provide an average wide-angle zoom for my cropped sensor 7D and later give me a very wide-angle equivalent for the full-frame.

In the meantime, the 7D coupled to the 10-22mm have opened fascinating new doors to me. I cannot wait to take them on a real photo trip, but that will have to wait and I must experiment for now with New York as a modern, ultra-urban playground.

The 7D also features incredible HD video capabilities and I will be studying this new field hungrily, reacquainting myself with the long-lost love of movie making that was left behind when I gave up on my Sony Hi8 Digicam for lack of proper editing tools and software, not to mention time and raw computer power.

With a bit of savvy technique and discipline, one can now produce HD - or better than DVD - quality movies with a simple DSLR, and that is a revolution in itself. That it can be done so simply and with minimal tools, is incredible. I can’t promise that my results will rival those of professionally-shot movies, but hey, I am at last given the opportunity to try.

Stay tuned for much photography and some filming baby steps...


 

 Posted at 6:37 PM in Photography: & Reviews: & Videography 5 Comments » Toggle display  Reply

[This is part 2 of 2 - read part 1 here]

...

One of the major factors helping so many people to finish such a long and difficult race is the crowds. All along the route, there are spectators cheering the riders. In some places things are taken to an extreme and people have loud music playing, or even improvised bands. There are spontaneous cheerleaders and amateur water points. There are hoses pointed at cyclists for cooling off. There are local kids offering a « push » up steeper hills. Everybody is clapping and encouraging. Some seem amazed and others even have a look of deep sorrow on their faces, as if thinking « What pain, how can you martyrs endure that? »

All of this is very helpful when the going gets tough and while I couldn’t do much for my legs other than slow down for a while, I boosted my ego with smiles and you can do its and found it much easier to pedal efficiently to the loud beat of Eye of the Tiger.

There were also many official refreshment stations along the course but I tried to avoid them for fear of losing my rhythm. That might have been a mistake. At the bottom of the road out of Simon’s Town towards the top of Smitswinkel Bay, second major climb of the route, my left quad tightened dangerously and I had to stop for a minute to stretch. I kept singing to myself in Dory’s fishy voice: « Keep going, going, going... »

Climbs, however, were where I could more or less keep up with the pack. Bunches tended to disintegrate and everyone slowed down to acceptable individual comfort, or rather pain levels. The mountain bike was then at ease and I never once had to stand up from the saddle. The pleasant thing about the Smitswinkel Bay climb is that a typical southeaster usually abates just before the final stretch and even becomes a tailwind, a blessing all and all even though it also suddenly becomes much hotter.

The top of that second climb marks the psychological half-way point of the Tour. Over 60 km remain but there is a sharp direction change towards the north and riders enjoy a fantastic extended downhill ride to recover. So I sat back in the saddle after reaching my modest top speed and watched everyone rush past me once again. I wondered how my teammate was doing and whether he was ahead or behind me.

At Misty Cliffs, with some 50 km to go, things improved for a while. Out of any tall trees’ protection, we finally felt the tailwind, a very welcome little extra push in our tired backs. The local troop of Chacma baboons was also on site and a few were sucking happily on discarded energy gel packs. There was a moderate climb above Kommetjie and then the long hot straight line towards Noordhoek with what felt like a strong crosswind, or even a bit of headwind again.

The next challenge was Chapman’s Peak Drive, third steep climb of the course. I decided to do my single stop just at the bottom, to replenish my two bottles and briefly rest my legs before climbing. The Drive has the most stunning views of crashing waves down below and far into Hout Bay, however by then I was having to dedicate full attention to my breathing, to pampering my derailleur, to the tired riders around me and the sharp bends.

Chappies, as the locals call it, wasn’t so bad, except for maybe the last 200 meters where I’d really had it and began experimenting with my French swearing repertoire. But I skipped the refreshments station at the top, banking on the long descent into Hout Bay to perk up.

After Hout Bay, there isn’t much rest until the next and final climb, Suikerbossie - a long, straight and sizzling hot road which is where many meet their Waterloo. You get there with about 90 km in your legs and the climb hits you hard. However, it also has one of the highest spectator/supporter concentration and many garden hoses appear, aimed at the road, held by kind souls who politely ask you if you want a splash as you go by. The crowd is roaring, music plays loud, and riders suffer together, in a contrasting silence, sharing pain and hopes. Many give up, though, and walk their bike up the hill. You try not to look at them and be tempted, keep your eyes on the road ahead, avoid the swirling guy next to you and aim for another 20 pedal turns. And then another. Suikerbossie, it seems, will never end.

But it does. Reaching the top, I took a deep panting breath. The suffering was over. « After Sugarbush, » had said Henri, « it’s all downhill ». He hadn’t counted on the wind. With 15 km to go and running on empty, I was thrown, along with everyone else, into Eole’s fury. Here’s what sport Columnist Kevin McCallum wrote about that stretch of the 2010 Tour: « The wind was a funny, vicious beast, bouncing off the cliffs and slowing you from 50km/h to 20km/h in the space of a corner... »

But the end was at last in sight, or rather around the corner and out of sight. All that remained was a slow dash through Camps Bay, rounding Lion’s Head, into Sea point and finally Greenpoint. My neck had been cramping for hours already and forced me to stretch it every 30 seconds, looking down at my pedals and losing precious sight of the road. Wrists were hurting and I had to alternatively shake them wildly. My butt was so sore it was finally getting numb. But standing up on the pedals felt like heaven on a bike.

Then the road narrowed, riders being channeled into the finish line, two guys in front of me suddenly slowed down to lift up their arms in victory, I passed them on the left because I didn’t give a damn, there was a blurred camera pointed at us, the blue arch flashed by, I felt the slight bump of the final mat, and that was it.

I had finished the Argus. 110 km. Two wheels. A helluva lot of wind. Quite a show. Pain. Relief. I looked down at my timer: 5 hours and 20 minutes. To quote Lafontaine, je jurai, mais un peu tard, qu’on ne m’y prendrait plus.

I got off the bike, carefully - a collapse after the finish line would not have been that glamorous, took a few hesitant steps, life coming back to my legs in spikes of nervous conflict, and grabbed a cold Coke before exiting the arrival pen. I think that was the most satisfying Coke I’ve ever had. It was hot. Some people looked pooped, others quite casual. Many were arranging pick-ups on their cell phones, or maybe just reporting being alive. I looked around hopelessly for Henri and then proceeded with our pre-established plan: we were to meet back at the car.

Which meant, ironically, that I had to get back on the bike and pedal some 3 or 4 additional kilometers to our parking spot, in traffic this time.  That wasn’t funny. Or maybe it was. I got there first, called home to report in and inquire about Henri, learned that he was just behind me. He had gotten serious cramps before Suikerbossie which cost him about 20 min. for a massage, and had finished in 5:49 - or just about the same biking time as me. At age 77. Henri cycles for his health, not out of passion. He laughs "I love cycling because I know when I come home in the morning after a training run that the worst part of the day is behind me."

Two years ago, with no wind, he finished in 4:30 hrs. Last year took much longer in the insane wind, but he did finish whereas half of the participants didn’t. He only trains for the Argus because he has to and just for a few months before the event. He’s my hero.

We got into the car, stories came up, experiences were compared, exclamations flew out loud, the wind was condemned. We were both a little shaky. I think we both felt rather humbled by the incredible fitness we had witnessed all around us and yet immensely proud on our very modest level. We both wanted a beer.

And maybe were we a little sad, too, in a deeply secret place, way beyond the overwhelming relief: we’d bagged the 2010 Cycle Tour. Now what?


Interesting facts:

  • The Cape Argus Pick n’ Pay Cycle Tour, in its 33rd year, is said to be the largest timed cycling race in the world. It was the first cycling event worldwide to incorporate a comprehensive EMP (Environment Management Plan); the International Cycling Union now requires all events under its auspices to have a similar plan. Every year, around 150 individuals from disadvantaged communities ensure that the Cycle Tour route is returned to its former pristine condition. They aim to clear the 65 cubic metres of rubbish generated by the Tour’s 35,000 riders and its supporters within 36 hours, in order to comply with the Cycle Tour’s EMP. And as two-thirds of the route runs through a National Park and World Heritage Site, the Plan also looks at every other environmental impact the Tour could have – from noise pollution, helicopter flight paths, fire risks, traffic management and structural safety on route. The Tour contributes to various charities and community programs via the Claremont Rotary International and the PPA (Pedal Power Association.)
  • Some guys do the Tour on a single wheel.
  • There were 93 injuries.
  • Malcom Lange, winner of the race at 2:39:55, said that Lance Armstrong who finished 9th at 2:40:04 - that’s 9 seconds later - supporting his teammate Daryl Impey (3rd), might have underestimated the wind. Then I think I misunderestimated Lance.


 

 Posted at 11:33 AM in Reviews: & South Africa: 6 Comments » Toggle display  Reply

Imagine the most breathtaking coastal scenery in the world, with Table Mountain at one end and Cape Point at the other. Throw in some cute little fishing towns, majestic cliffs, giant breakers, seaside mist, sandy beaches, wild surf, unrelenting sun and some annoyingly nasty climbs. Draw a 110 km route around all this, starting in downtown Cape Town and almost closing the loop at the new Greenpoint Stadium. Invite 35,000 of your cyclist friends, assign them a number and a starting time, drop a line to Lance Armstrong while you’re at it to see if he’ll join, hope for good weather but expect the worst both in heat and wind, add a myriad of spectators and supporters, back yourself up with an impeccable organizing team and you’ve got the Cape Argus Pick n Pay Cycle Tour.

My father-in-law Henri has done it four or five times.  He’s 77. When Marie and I managed to delay our departure from South Africa to the 19th of March (the Tour happening this year on the 14th), I suddenly had the silly idea of riding along, for the experience if nothing else. Henri agreed. He said the spectacle was incredible. He would lend me his training mountain bike, we had an extra helmet, and biking shorts are cheap. It sounded nuts.

Now, remember that I am no cyclist. Me, I run. All it takes is a pair of running shoes and traffic is never an issue. A bike, on the other hand, feels like a clumsy tool I am forced to adjust to and which causes all kinds of pains and aches. But I do like a challenge and always enjoy a chance to ridicule myself.

So I said yes. Marie and I were about to embark on our road trip and I had just injured a leg; it was doubtful that I would get much training done while away. I would thus be left with 2 weeks before the Tour to launch into serious biking and adapt to my machine.

Back from the road, I did 3 rides in a week, ranging each from 60 to 70 km and covering most of the actual route so that I would be somewhat familiar with the difficulties to come. Then I rested. Two days before the event, I finally had the bike fitted with slicks instead of the good old off-road tires.

My limited training hadn’t allowed much timing extrapolation but I was looking at a minimum of 5 1/2 to 6 hours to finish, possibly more depending on the wind and heat. For humbling reference, in normal weather over 20,000 people finish the Tour in sub-5 and some 13,000 in sub-4. My strategy was simple. Once under way, just keep going. Minimum number of stops, no rushing, no sprints, and above all, STAY AWARE OF OTHER RIDERS. Lots of people out there, Murphy’s Law would be begging to prove itself.

The Cycle Tour, most often referred to as « the Argus », is an incredible feat of pure organizational genius. 35,000 cyclists are released in groups of 600 at two-minute intervals from two lanes into which alternating stalls are fed. The real racers like Lance go first, obviously, and for them it is a true race. They will finish it in about 2 1/2 hours. Regular repeat participants are then seeded according to their previous race time. The rest follow. Each rider is equipped with a mandatory chip that allows precise individual timing. People are also given the option to wear their number prominently on helmet and bike, so that race photographers can identify them and put the pictures for sale. All 35,000 of them.

According to the tradition, Henri and I carbo-loaded for a few days and had pasta on the last two nights. On the night before the event, everyone was nervously watching a forecast that predicted gusts of up to 65km/h. In 2009, hurricane-strength winds had turned the Cycle Tour into an incredible ordeal, with occupied portable toilets being blown off at the start line and racers reporting having to stand up and pedal hard into the wind on downhills so steep they normally would have been free-wheeled at speeds above 60 km/h. That race was deemed the hardest Argus ever.

So on Sunday March 14th, when we got up at 5:30 AM (and much earlier for some), it turns out that about 6,000 cyclists of the registered 35,000 looked out their window, saw some wind already blowing, and elected to stay in bed. As for us, we drove the Kombi to Henri’s work parking downtown and rode our bikes from there to the start. An incredible coincidence had placed us in the same start group pen, FF, which would be let out at 8:02 AM. We were on site at 7:30, worked our way to the pen and waited for departure. We were both carrying two 1 L bottles of Powerade and a special high energy/recovery mix, and had 5 energy gels each, to be sucked on every hour. I had attached my G10 to the handlebars but didn’t really expect to be able to take pictures during the ride.

The departure of the Argus is probably the most impressive stage. Up  to 35,000 people are channeled to twin start lanes in the most extraordinary display of Swiss-like efficiency. The start area is shaped like an inverted T, or rather 2 L’s standing next to each other with the left one mirroring the right. Got it? There are pens on each side of the vertical branches and some more along double rows at the bottom. Riders are released from the top, in packs of 600, every 2 minutes, using the 2 lanes alternatively so that when a group goes, 600 more people immediately move forward to the line, filling the gap, while the opposite side is being readied to go.

I watched all this with my jaw hanging, carried forward by the human flow, hardly able to believe I was actually there, and quite worried about the fact that I indeed was. There were a lot of strong-looking riders around me and many,  many road and competition bikes. My mountain bike was going to have a hard time keeping up, and my legs an even harder time. Henri was smiling, still impressed by the show, seemingly confident at this stage since there was no turning back.

The wind had delayed departures a touch but organizers were catching up and keeping us informed over the loudspeaker that also announced every start. When our group was told to prepare, with some 45 seconds to go, I glanced at my Forerunner incredulously: it was 8:02 sharp. In a last-second impulse, I wished Henri a good ride and chickened out of the peloton’s core, sliding with my bike to the side fence. I was worried about mass collapses in the infamous wind tunnel just past the start line and decided to let the 600 people go first. My time would only begin once I passed the timing mat anyway.

But the start was uneventful. I later learned that my pen had only held 480 riders. It took less a 30 seconds for the whole group to get moving and there weren’t any falls. Race organizers with megaphones were cautioning cyclists to take it easy, to be careful, it was very windy. Everyone gave their legs a warm up and tried to settle into a rhythm. I had long lost sight of Henri.

The Argus route leaves Cape Town towards the east veering around Devil’s Peak. It then heads south all the way to Cape Point along False Bay and then traverses to the ocean side and comes back up to town. It features 4 major climbs and a series of smaller ups and downs.

The wind was blowing from the south-southeast. It nailed us as soon as we had turned the corner around Table Mountain and were facing the first serious climb up Edinburgh Drive. Most spirits must have taken a beating right there. I know mine did.

A couple of guys on a tandem, arguing loudly with each other, hit me from behind. The first contact was the frontman’s helmet on my elbow. I looked backed, startled. They somehow recovered but as they were passing very close, lost balance again and fell right on me. I was so pumped up that I braced myself strongly and leaned into them, and that must have saved us all because nobody collapsed. They regained their upright position again and pressed on, still yelling at each other, without any apology or acknowledgment of any kind. From then on, I knew it would be chacun pour soi.

I’m still not sure how strong the wind actually was. 50 to 60 km/h gusts would be my guess for the later part of the route. Early morning must have been better. But the Blue Route, a long stretch on a highway cruising along Constantia, wasn’t as much fun as I had expected. Marie and her mom had come to see us off and were standing on a highway overpass, some 15 km into the Tour. They never saw me coming despite my waving in advance, but at the last minute, Marie managed to shout « Vive la France! »

La France definitely needed some encouragement. The problem with a mountain bike is that the gears are fit for steep uphills but on flat roads, I ran out of gears much before everyone else. All I could do was free-wheel when possible, but my top speed never matched that of most bikes - except maybe in extremely steep descending sections where safety became the main moderator.

At the end of the flat Blue Route, the Tour climbs above Muizenberg onto Boyes Drive. It then winds along the coast in and out of small towns in what should have been an easy ride with only short hills. With the headwind, however, it felt - as Henri put it later - like a single, 20 km-long climb. When the road came close to shore, sand blasted at us furiously and by the time we had gone through Kalk Bay, Fish Hoek and Simon’s Town, my left quadriceps was giving up and threatening to go on strike, a cramp looming. That had never happened on the training rides. I had 69 km to go.

 [To be continued...This is part 1 of 2 - read part 2 here]

 

 Posted at 7:00 PM in Reviews: & South Africa: 11 Comments » Toggle display  Reply

Every four years, 32 teams gather in a host country to play 64 games of passionate football, watched by the entire civilized world, and most of the rest too. It’s the FIFA World Cup. It’s big. The 2006 final match in Germany was watched live by an estimated 715 million people. Each one of them saw an instant replay of Zidane heatbutting Materazzi. That’s the power of television.

Four years later, South Africa is hosting the 2010 World Cup. The first match will be played on June 11th at Johannesburg’s 95,000-seat Soccer City Stadium. The rest of the tournament will be split between 9 South African cities. Five of these have built a brand new venue for the occasion, led by Durban and its impressive 70,000-seat stadium which features a cable car to the top of a 106-meter high arch suspended over the field. The arch was given double legs on one end that join into a single footing at the other, symbolizing the country’s new unity.

Second on the list of major accomplishments is Cape Town’s new stadium, having been built on the site of the old Green Point Stadium. It will seat 68,000 spectators for the 8 games to be played there during the Cup. It features a 9000-panel glass roof to allow sunlight in, a semi-transparent facade and, last but not least, 500 toilets and 360 urinals...

Last Saturday, February 6th, a first rugby match and second game ever was played at the stadium. Organizers, working in stages, had raised the attendance limit to 40,000 people. They just about filled the place. We were there.

For most spectators, us included thanks to Marie’s dad whom we joined for the outing, this game opposing the Stormers to Boland was basically just an excuse to go visit the venue. The event was a trial, a test run at 2/3 capacity aiming to assess the readiness of the city and the stadium’s functionality in large crowds. It would seem, to my lasting surprise, that they both passed the test with flying colours.

Apart from the yearly Cape Argus bicycle race that rallies 35,000 participants, Cape Town isn’t used to big crowds. The Green Point stadium merely held 18,000 rugby fans. There isn’t much parking available downtown. Until now, there was no need for it. So rather than build massive  amounts of parking space around the new stadium, planners decided to spread the load and make visitors park further out. They would then ride buses to the game.

If that theory had been explained to me in detail before testing it, I would have laughed and prepared for the worst. There was no way to carry that many people back and forth in a timely manner. Chaos would surely ensue. Fights would erupt. We would miss the game.

I would have been wrong.

We parked underground at the Artscape Theater. When we emerged from the lot, a light crowd was flowing to the left and we simply followed. Many buses were parked nearby. They were requisitioned from the Golden Arrow fleet that normally mostly services the townships. Drivers sit in an armored booth but the buses are squeaky clean. We lined up behind some two or three hundred people, curious to see how this was going to unfold. A lot of staff was on hand,  wearing fluorescent vests and holding various helpful signs: Queue Here, Standing Passengers Allowed, etc. But were they volunteers?

In less than 5 minutes, we were aboard our bus. It had gone so fast we could barely believe it. The bus took off along with 4 others - they were sending off waves of 5 buses every 5 or 6 minutes. More buses were arriving behind us empty and waiting their turn.

The drive to Green Point took some 10 minutes. Traffic lights were being controlled locally by the police who waved the buses through. At our destination, we followed the crowd once again and walked a half a kilometer to the stadium which finally appeared in all its glory from behind some low buildings. I had only seen it from Table Mountain. It is quite impressive. The security and police presence was even more impressive.

The only slow-down of the day happened at the gates where people initially queued up in an orderly fashion but eventually started jumping lines. The process was slowed down by a brief security check of each admitted spectator and a pat down that,  given the huge relative cost of the stadium, might have been much more efficient if fancy metal detectors had been on hand - even though they were probably searching for booze as much as weapons.

We then had to look for the green section, the stadium being divided in 6 color zones. Panels or maps would have helped greatly. But they might be on their way, as some details still seem to be a work in progress. The stadium’s periphery is superbly wide and aerated. Even with a 40,000 attendance, the crowd never became unbearable.

We found our seats and sat down with friends of Marie’s dad. I immediately jumped on my G10 and began taking hand-held panoramic shots of the inner stadium. The public was thrilled, not so much by the perspective of the game than by the grandiose new toy the city had finally given them. They momentarily forgot that their tax money would be paying for this long after the Cup had left for different shores and a gigantic wave  began to circle the stadium.

Soon the match began. Being French and having been raised playing football, I had a little trouble accepting the facts that a rugby ball is voluntarily deformed and that one player’s hands on said ball carried across the final line is a heroic act rather than the sacrilege I am used to, but in the end, I came to the conclusion that hundreds of years of divergent evolution must have created such drastic differences in the way people chase balls for the utter glory of it.

The sun shone straight down on us for most of the game and while I was blessed to have brought a baseball hat out of sheer confusion about the event, we were not so fortunate as to have thought of sun screen, and we watched the game with our  sweaters over our heads in a typically African shade seeking ritual.

In a stroke of genius, Henri decided we should leave a bit early to beat the final exodus back to our car. The game was going along well and our favourite local team was beating the boerewors out of their visitors. They would eventually win 47-13.

We headed for the exit, surprised to see many others had had the same idea. Boarding the bus back didn’t take much longer than it previously had, but by the time we were rolling towards the city center, a huge line had formed behind us and people on the bus were whistling incredulously at the human snake that now stretched  back all the way to the stadium gates.

We counted the buses on site, plus the ones arriving behind them, and all the empty ones we saw on our way to the drop-off point. Best guess, 50+. It was all quite impressive. We got to our car, drove off, and looked at each other. The whole thing had been mostly glitch-less. In and out without a scratch. The new Cape Town Stadium was holding its own and it appeared it would handle a 70,000-people game without flinching too much.

And that would be really nice. Cape Town needs the good publicity. South Africa needs the good publicity. After the country woke up from its terrible nightmare last century, it was slowly rehabilitated into the world scene, reappearing shyly on maps while embargoes were lifted; tourism slowly came about and the past was painfully shoved under  the dirty carpet of History.

But it seems to me the country has since then been struggling inwardly with its own new identity and never managed to achieve total recognition. Crime remains incredibly high and social issues are as pressing as ever. The shadow hasn’t yet passed. To brighten things up, attention from the outside could probably do a lot of good. The touristic and economic boosts a worldwide event such as the FIFA World Cup can yield are incredibly powerful. But this is a double-edged sword, one that can make or brake a country’s reputation.

While it is one thing to hold the Cup in an accessible, high-tech and popular country like Germany, it is quite another to hold it at the southern end of  Africa, far from just about everywhere in the world, in a country that in most people’s mind still carries the stigma of Apartheid, that is kept on the watch/warning list of many foreign offices and who’s white minority mostly ignores football for rugby.

The South African 2010 FIFA World Cup, to me, is a major gamble. I hope it’ll work. Everybody here deserves it.

 

 Posted at 6:12 AM in + Panoramas: & Reviews: & South Africa: 3 Comments » Toggle display  Reply

The first best purchase I ever made towards my running career was a simple pair of running shoes. They were Nike Air Max Assail II trail runners bought for $89 at a highway-side outlet in Minnesota. I never noticed they were trail running shoes. I didn’t bother with stride style or supination. I tried them on and they fitted both my feet and budget like gloves. Basically, I bought them because I liked the way they looked.

They lasted me well over 1500 km without flinching. I only changed them after 3 years because I was worried to see everybody else rotate their shoes much earlier. But I suspect I ran better in these than in my current Asics. Oh, that Nike model? Of course they don’t make them any more.

The second best purchase ever, well, that only happened this year (2009). I was leaving Vancouver and my all-time favourite Seawall route behind and was quite worried about what lay ahead in New York in terms of running paths. It felt like I would never find anything as good as Stanley Park and would have to get used to streets again. I would have to spend hours on the Gmaps Pedometer plotting multiple routes and calculating possible and probable distances.

So I was weak. I invested in a Garmin Forerunner 305 personal trainer, a heart rate monitor with integrated GPS capability. Equipped with the little beauty, I’d be able to follow my progress in real time and break free from pre-run distance calculations. I would be able to improvise and adjust to the Eastern Seaboard.

I’ve now been running with the Forerunner for almost a year. My last 3 trail runs down here in South Africa relied on it heavily. I simply love it. It is the most extraordinary tool and I seriously doubt I would be able to accomplish as much without it. Despite the obvious heart rate monitoring - which I am not really using these days, having temporarily stopped interval training when I left Vancouver - the Forerunner offers a multitude of features that really all boil down to this: its GPS capability allows for real-time tracking of distance vs speed and time.

That’s it. It’s that simple. With a glance at my watch, I know instantly how long I have been running, and how far. And what remains ahead if I’ve plotted a training course. This makes such a huge difference in terms of pacing myself, I can’t imagine running without it any more. I can double-back and run in my tracks, I can follow a previously uploaded route, I can run against myself to improve  time, I can choose paces, heart rate zones and speeds at will, backed up by alarms to stay within chosen parameters. I have direct access to sunrise and sunset times, I can mark interesting spots as way-points, and later, everything gets uploaded to either of my 3 favourite pieces of training software, on the laptop or online, and the run is fully detailed and mapped onto Google maps.

Yesterday’s run once again led me over Table Mountain. Marie had a meeting in downtown Cape Town with an editor and dropped me off at 3:00 PM a little beyond the lower Cableway station, at the base of Platteklip Gorge. Platterklip reminds me very much of Vancouver’s Grouse Grind. Steep, straight up, painful, it took me a bit under an hour to climb. Two major differences here, though: the South African mid-day heat - it was about 27 deg. C - and its consequence, a welcomed absence of crowds. I couldn’t choose my window, having caught a ride, but I  would recommend going much earlier in the day, or later.

In any case, no running up Platterklip for me, I don’t train on uphills often enough to manage it. And with 13 km to go once at the top, the name of the game was pacing. I was bringing along two energy gels and two Powerade bottles. I also knew I could count on water at the beginning of the Jeep track, near the reservoirs.

Platterklip, just like the Grind, is basically a long staircase. Initial elevation: 400 meters ASL. I started in the sun and eventually got some shade as the two walls converged on me and water sang weakly in the gorge, despite the summer. I sucked an energy gel two thirds of the way up. Towards the top, legs a tad shaky, I met up with an unrelenting sun again but the wind finally picked up as I came out onto the plateau at 55 minutes. A signpost indicated the cable car station to the right, and Maclear’s Beacon to the left.

I aimed for the latter, running on a pleasantly flat trail of large rocks and some sand, and reached the beacon at 1:15 hrs. Altitude, 1087 meters. I snapped a few shots and pushed on. From Maclear’s Beacon, I was on known territory. I negotiated the long descent on the Smuts Track, passed Skeleton Gorge (a tempting shortcut back home) and Nursery Ravine (an even more tempting shortcut to home and the swimming pool) and eventually came upon the beginning of the Jeep track, at 2:00 hrs sharp.

I filled my empty bottle with a water that is most probably drinkable but, as with all fresh water on the table, looks a little yellow and doesn’t really inspire me. I had Powerade left and decided to use the fresh water for cooling off, the sun still fiercely frying the top of the mountain.

The steep Jeep track is quite easy on the way down as long as I pay close attention to my knees. At the Constantia Nek, I took a sharp left and  followed a trail into Cecilia, descending and crossing the road into the top of the Green Belt and running down a bit faster on my last reserves, like a horse smelling the barn.

I arrived on Brommersvlei Rd. at 2:47 hrs. The Powerade was gone, and so were my reserves. Once home, I drank a ton of water and jumped into the pool. The dogs looked worried, either about my redish face or about the risk of drowning. Theirs.

Beautiful run.

 

 Posted at 9:45 AM in Reviews: & Running: & South Africa: 2 Comments » Toggle display  Reply

At some point during Avatar, when Jake first meets Neytiri after she’s saved his butt by reluctantly killing the wolves, she throws his torch in the water, annoyed by the light. As their - and our - eyes adjust to the obscurity,  incredible bioluminescence awakes all around them, revealing for the first time that indeed, everything that lives on Pandora glows beautifully in the dark.

At that point, the tough guy sitting next to me and who was also on his second viewing just sighted lengthily and seemed to levitate slightly in his chair. I knew exactly how he felt. There is such incredible beauty on Pandora that it’s impossible to remain stone-cold. Cameron has obviously tapped into his knowledge of deep ocean diving and his passion for the sea to create life on the alien planet. Some smaller creatures behave like underwater species and many of the plants become at night very much coral-like.

The artificial biodiversity created entirely by CGI is simply breathtaking. And when a human comes along and interacts with the planet’s fauna and flora, it is done so impeccably seamlessly that there is no way to distinguish between animation and real footage. Humans, Na’vi, avatars, the jungle and man-made structures and crafts all appear to be of identical origin. As I said in the previous post, the line between reality and fiction has been visually blurred forever.

The artificial biodiversity created entirely by CGI is simply breathtaking

When the movie ended, I glanced behind me and saw that 5 people were still there, leaning against the wall, 3D glasses on and staring in fascination at the rolling end credits. They must have failed to find a seat in the darkness and remained standing at the back for 2:30 hours...

That in itself, I would say, summarizes Avatar pretty well. Magic worth standing up for.

I’ve now seen the movie twice. Some might recall that my first viewing was a rather big disappointment. Marie and I sat too close to the 8-story tall IMAX screen and the 3D was difficult to grasp, that effort casting a deadly shadow on the other Avatar marvel, computer graphics, which I didn’t really have a chance to appreciate.

This time however, seated all the way at the top, I was in the perfect spot. Here is, thus, my final rating of the movie on various scales from 0 to 10:

  • Scenario/plot: 5
  • Real people acting: 7
  • Musical score: 8
  • Overall 3D quality: 10
  • CGI (computer generated imagery): 14
  • Attention to details: 14
  • Absolute creativity: 15
  • Mind blowing potential: 15
  • Sheer beauty: oh, the heck with it... 20!

What, did I bust my own scale? ;-)

I hereby confess joining the masses: Avatar is simply the most extraordinary movie I’ve seen in a long, long, long time - possibly ever. There is genius sprinkled all over the film. My sister was right, it is a Ah! movie. I think it has forever altered the definition of special effects and opened a door onto a new era in movie making. The only true stunning innovation I can imagine after Avatar would have to be the coming of realistic holographic cinema.

Granted, the flick is not absolutely perfect. First of all, the production cost figures as well as current and expected box office revenue are just too unbelievably high to be healthy. One could fall into an abyssal depression just trying to calculate how many Third World children could be fed with that money. As far as the movie goes, there are too many fast-moving, hard-to-follow battle scenes, as is sadly the trend in modern action movies. Also the plot is simple at best, cheesy at times. But in the end no one really goes to see Avatar for the story. It’s what it does to our imagination that makes the movie what it is.

Watching Cameron’s Avatar, I caught my emotions stirring up without my consent. I wanted to cheer, I wanted to clap, I wanted to laugh, and even maybe cry a little. Not out of sadness ‘cause Sigourney hadn’t made it, boo hoo, or because so many Na’vi had bought it fighting for freedom, reboo hoo, but rather out of plain gratitude! Because while our daily lives are bombarded with so much ugliness, someone, somewhere, had taken the time to imagine and design such pure, undiluted beauty. Because that someone didn’t have to do so; a horror movie would have been easier to make and sold almost as many seats. And because he did it any way, out of passion, stubbornness, unyielding willpower and audacity.

And that fact, even more than anything else, will be the gift I take away from watching Avatar. As long as we, as a bunch of self-destructive humanoids, are able to technologically create and truly appreciate such beautiful stuff just for the sake of it, I can live with who we are.

It means we still know how to dream. It means we remember the value of fantasy. And it means we remain incorrigible utopians.

 

 Posted at 12:02 AM in Reviews: 4 Comments » Toggle display  Reply

James Cameron is no ordinary man. He began his career as a trucker, studying cinematography on the side. Yet he holds the current record for the highest grossing movie ever, Titanic, and 3 weeks after the premiere, I believe Avatar  has already reached the second spot for worldwide sales. The thing is, Cameron likes taking risks. And he had been dreaming about making Avatar for the last 15 years.

His latest movie breaks so many rules and innovates in so many fields that a review of it becomes like a complicated charade. There’s too much to say, too little time. And no technical explanation, no lengthy description of the planet Pandora can ever replace actually watching the movie. This is a typical case of « You have to see it to believe it. »

But I will try. Cameron first conceived and pitched his idea in 1995; back then, it got rejected based on the time’s cinematographic capabilities. What he wanted just couldn’t be done. So he filed it away and instead worked on Titanic and a few other movies while he perfected the technologies he would eventually use for Avatar.

Time passed and in 2002 and 2003 the character of Gollum appeared in The Lord of the Rings, animated by Peter Jackson’s company Weta Digital, via the motion-capture of an actor’s performance. The result was impressive enough to signal Cameron the time had come. As was the case with the animated character of Davy Jones in Pirates of the Caribbean, the scenes were still brief and technique needed to be improved but they were the cue to bring the Avatar project back to life.

The first thing Cameron did was follow in Tolkien’s footsteps and define an incredibly detailed reference for his story. Just like JRR had crafted the Middle Earth in its most intimate details, Jim created the planet Pandora with details in mind, knowing that those would make the difference and give life to the CGI (Computer Generated Imagery) to follow. He surrounded himself with experts who each pushed the envelope in their own field. A indigenous language was invented down to the grammar for the Na’vi to speak; their music was structured; the planet’s animal kingdom and lush bio-luminescent vegetation were labeled and described in scientific detail; its atmospheric density was computed. The Pandorapedia (video) was born. Cameron was having very thorough fun. He brought Peter Jackson and Weta Digital on board for the digital animation, later supported by Lucasfilm’s ILM.

Next, Cameron concocted a cocktail of three radically new or highly improved ingredients for the making of the movie itself. The first was the revolutionary Stereoscopic Fusion 3D camera, which allowed for high definition 3D digital filming with a camera that was much more manageable than the old bulky 15/70 IMAX camera (like the one David Breashears had to log almost to the top of Everest while filming IMAX: Everest during the infamous 1996 season that cost so  many lives and was made famous by Jon Krakauer’s Into Thin Air.)

The second ingredient was a new facial or performance capture of the actors’ faces while they played in an empty space called the volume in order to construct a « rig », a digital framework of their faces that would then be applied to their CGI counterparts via a set of rules controlling muscle movement. To achieve this, the actors wore a tiny HD camera on their forehead while acting in the volume where they were recorded globally by multiple cameras in a 360° environment. Each of the avatars and Na’vi people were actually animated based on the direct performance of an actor, recorded by the combination of a facial camera and multiple reference cameras moving around them in the volume.

« I wanted to be able to look the actors in the eye and say What you do right now, on the set, is what it will be. It will just be blue and 10 feet tall. »

James Cameron in an interview to Popular Mechanics (video)

Which brings us to the third, two-part ingredient. Cameron wanted to be able to visualize what he was filming, or creating, in real time. In the past, all elements would have come together at the post-production stage: a complicated mix of real acting, green screens, computer generated environments and the highly sophisticated CGI avatars. But Cameron had a tool designed that he called the virtual or swing camera, simply consisting of a lens-less frame with markers and an LCD screen. He could use the virtual camera to move about the volume and look at an actor as if holding a classic camera and would actually see the avatar instead on the LCD. Later, this evolved into the simulcam which integrated performance-capture, live acting, and CGI characters and scenery so that he could actually see what he was filming rendered the way it was meant to be seen, in real time.

That explosive cocktail took years to fine-tune. Eventually, though, things were so well set that Cameron and his team could finally achieve what had once been impossible; they were now able to combine CGI and real 3D cinematic footage into perfectly seamless scenes with incredible detail and astonishing quality, keeping absolute control over the timeline and without being locked into using pre-recorded conventional cinematic imagery to host the CGI. James Cameron held the keys to a Pandora’s box of unimaginable power.

Better, he could now create his very own Pandora and doing so, he would forever blur the line between illusion and reality.


To be continued...


ADDITIONAL ARTICLES AND INTERVIEWS:


 

 Posted at 12:41 AM in Reviews: 2 Comments » Toggle display  Reply

They say that bis repetita eventually placent. So I repeated. But this time I came prepared. When I arrived at the Lincoln Square AMC Loews theater (seating capacity: 4144)  at 1:30 PM for the 3:00 PM showing of Avatar in IMAX 3D, there were already 20 people waiting in line, or rather sitting on the carpet with iPods and laptops to kill time. Within 15 minutes, twice as many had arrived behind me.

So there I sat, along with my fellow obsessive-compulsive movie geeks, and I stared at the food counter. At 1:50 PM, the 4th floor IMAX hall we occupied got locked down. Another line-up was forming outside and probably continued down to lower levels.

A disembodied voice announced on a VHF radio nearby « IMAX is over in 5 minutes, repeat, IMAX over in 5 minutes. » The exodus stampede was about to happen. This IMAX theater seats 600 people. They would all be looking for fresh air fast or a bathroom faster.

I stared at the food some more. A #2 Big Screen Combo cost $17.00 and included 2 large drinks and 1 large popcorn, for almost the price of a full IMAX ticket. At 2:00 PM, the couple next to me realized they had bought the wrong tickets; « You can get a refund, » said the cinema attendant, « but you won’t get in. This show has been sold out for quite a while. » - this being a weekday 3:00 PM show, 3 weeks after the movie premiere...

At 2:10 PM, I was eying the $6.75, 1390 calories Movie Nachos. I resisted. One guy came out of the movie late through the doors next to us, having probably watched the end credits to the very last word, and he gasped to no one in particular: « It’s intense! It’s unbelievable! » People in the line just watched him leave. Most probably knew that already. There were 40 to 50 people with me in the locked-down hall, tickets checked and 3D glasses received. The proud, the few, the patient. We felt privileged. I wondered how many were repeat offenders.

Around me, appetites were rising and weak souls began to yield, their host walking passed me with food trays the size of a small suitcase. I kept resisting. We were let in at 2:15 PM. I shot to the top and sat in the best seat I could find, one that was centered and as remote from the screen as possible and which allowed me to stretch my bad left knee, a valuable commodity after my recent long run.

I instantly felt better. I could see the entire screen without twisting my neck into paralysis. The immense amphitheater filled up slowly for almost an hour. A surprising number of people were going straight for the lower seats and I felt like yelling their mistake out to them. At 3:00 PM, later-comers were still pouring in. A recording played asking everyone to move inwards and fill empty seats since the show was sold out, to allow the last arriving spectators to find space on the outside. But morons will be morons. By the time the movie started, maybe 10 minutes late, a few people were still struggling to find a seat. I forgot about them. This was my - and Cameron’s - redemption.

The screen went blank and all lights were dimmed. Starships flew across space, planets revolved one around another, a bunch of sleepy guys awoke from cryogenic sleep in complete weightlessness and I took a deep breath. At last, in full stunning 3D, Avatar was really playing before my amazed eyes.

To be continued.


 

 Posted at 1:34 PM in Reviews: 3 Comments » Toggle display  Reply

Ok, now that I have your attention, let me explain what I really have on my mind. It’s 9:00 PM. We walked out of the theater around 5:30 PM. I am still sulking. I feel sad and extremely disappointed, and sour. Because you see,  for me, Avatar totally sucked.

I had been basking in a deep trance of the finest expectation for over two months, thinking about the upcoming 3D IMAX blockbuster constantly, counting down, cherishing each moment gone between me and D-day. I don’t believe a child awaits Christmas with more enthusiasm, more passion than I did my movie.

Avatar, I assumed, was going to be it. The Movie of the Decade. The Star Wars of a new generation. The one masterpiece that transcended its time and took cinematography and special effects to a new level. The benchmark for many years to come. As my sister had described it referring to Fynn’s Anna and Mister God, « an Ah! movie ».

Waking up this morning, I barely could contain my excitement. Walking into the theater, I hardly managed to breathe. The CGI was going to be out of this world. The 3D was going to be so immersive it would suck us into the screen. I fully expected Avatar to blow my mind. Instead, it blew it away.

We got to the AMC Loews Lincoln Square theater only 15 minutes before showtime, 15 minutes late on my planned schedule thanks to NYC’s painfully slow subway system and the resulting 6 or 7 block walk. I had already screwed up. I should have known better. When you want something really bad, you must bleed for it. I should have decided on an hour early arrival just to be sure.

By the time we entered the gigantic IMAX amphitheater, it was already 80 or 90% full. There simply were no good seats left. Having been on the guest list at the Vancouver Canada Place IMAX for 3 years, I am very familiar with the setup and know all too well that the only good seats in the house are up high at the back, center. Period. I was lucky enough to once be given a tour of the projection room by the Vancouver projectionist himself, and that for sure had blown my mind. What I hadn’t realized then is that unless you are seated in the 25% prime seating, IMAX is nothing but a hoax.

Our New York tickets cost $18.50 each and by the time they were bought online, we were short US$41.50 for two people, no popcorn. And these days, that’s rough on the budget. So walking in 15 minutes before lights out got us a seat rather centered but about 3 rows from the bottom. The bottom. Right then and there, I screwed up again. I should have made an executive decision and bailed us out of there.

We stayed. The screen could not have been further away from our faces than the opposite end of a subway car. That screen, however, was 4 or 5 stories high. Across the entire theater, morons were wasting seats by leaving a space between themselves and the next person, effectively killing space for couples and making it just about impossible for late-comers to fit themselves in. The theater probably seats over 400 people, and it was, as far as I could tell, sold out.

The movie started. Given our low seating, I had made a solemn promise to myself not to break my neck trying to follow the action on screen by twisting said neck. Instead, I would fling my eyes sideways. We put our plastic glasses on. Instantly, starships flew across space, planets revolved one around another, a bunch of sleepy guys awoke from cryogenic sleep in complete weightlessness, and rather than lifting me up, they drowned me into my seat.

This was not the 3D IMAX I remembered. As long as the scene was a panoramic, distant view, things were acceptable. But as soon as the action got closer, you lost track. Close-ups were simple abstract moments of jagged perspective. I could not grasp the entire picture without ordering my brain to switch off some sensors. It was either the guy in the foreground or the blurry background; there was no in-between. We were just basically too bloody close to the screen.

Within 20 minutes, Marie, who is rather sensitive to heights and motion, was feeling sick. I spent the rest of the movie worrying about her. This must not have helped.

Through a childish scenario and a transparent plot, James Cameron then threw some seemingly stunning CGI at us, except I couldn’t really enjoy it, as it was literally in my face. Later, he branched into First Person Shooter-style video games. The aerial chase scenes and never-ending explosions made it impossible to distinguish between a PSP console, a colorful nightmare, some cheap Vin Diesel / John Woo action movie where everything blows up, and the movie Avatar.

There were puerile allusions to the Middle East, the good guy was a Marine fighting other Marines, Sigourney Weaver was back in space dealing with Aliens, islands lost track of their gravitational duties, plants glowed happily in the dark and a close-up of the two computer-animated Na’vi kissing was just as real as Jack Dawson kissing Rose DeWitt Bukater on the Titanic. It was all too much to handle while attempting to control three-dimensional explosions.

End credits. We walked out within the human flow, dropped our 3D glasses in the ritual bin, and I looked for a bathroom, which I found 4 floors down thanks to a complete absence of signage. The queue was longer on the men’s side, something I have never seen anywhere. There were 2 stalls for an entire floor of multiple theaters. What the hell is AMC thinking? That once the tickets are sold, customers can hold it?

So what’s the bottom line? I’m a kid, and I was robbed of my Christmas. All that anticipation only led to a tease and no sugar, no toys. It feels like maybe, probably, from another vantage point, some utter magic might have been happening on the giant silver screen, but it wasn’t mine to taste. Sure, I could go see the damn movie again. It would mean having made an overall hefty donation of $60 to James Cameron, IMAX and AMC, which I’m sure neither really needs. It would imply getting the right seat at the top of the room, and thus arriving at least an hour early at the theater and waiting patiently in line. And still it would be a show without surprises, without wonders. It would be a redemption viewing, a last chance at convincing myself that indeed, the movie was worth the 300+ million dollars it cost.

It think that IMAX needs to rethink its seating configuration - hell, its entire theater design. Charging almost $20 for a movie that less than 50% of the audience can fully appreciate is theft, an incredible ripoff that nobody so far, to my knowledge, seems to have denounced.

Avatar was going to be great. It was going to reconcile me with art as a way of life, as an expression of our infinite creative potential, as a proof that some people walk this earth with their eyes turned skyward, where everything is possible. That reconciliation would have been much needed, my personal dealings with the concept of art having been rather morose recently.

Instead, I am left with nothing to dream about, no endless after-dinner conversations about the how’s and why’s, no admiring praise of the vision and technique, no inspiration nor renewed belief in our race’s clever use of technology for the amusement of the masses - and worse, no raving review of the movie on this very blog that would catapult my traffic into three-dimensional dimensions...

I am left wondering if I’ll ever chance an IMAX movie again. I am left pondering if others actually saw everything they raved about or if all the hype was simply a clever media manipulation and the result of mass-hysteria and sheep-like behavior. Yet Marie liked it despite feeling dizzy, and so did my sister. How did I miss the show, then?

I glance at the calendar and wonder if I will manage to wait another decade for the next Avatar. Who knows. Chat échaudé craint l’eau froide.

P.S.  Yes, for you keen eyes out there, the added tear on the poster is my own CGI. And it cost nothing to produce. Ok, so if Cameron drops me a line with a job offer, I’ll withdraw all the above...

 

 Posted at 11:57 PM in Reviews: & Schtroumpfissime: 6 Comments » Toggle display  Reply

It’s a fact that Wikipedia has now entered our lives just like Google has. Despite a certain lingering mistrust of its user-submitted and hence potentially error-prone content, most people - including me - will probably seek information on Wikipedia after checking Google, or instinctively click on the Wikipedia link in the Google SERP right off the bat.

Wikipedia, however, still suffers from a major weakness: it lacks the support of quality photographs. In comes Fotopedia. The France-based project describes itself as « Images for Humanity ». It’s an online encyclopedia of photos, organized in articles and subjects that tap directly into Wikipedia for their text content. In that sense, it positions itself right between Wikipedia and Google’s map-based Panoramio.

Fotopedia Screenshot

So users can create articles or add their own photo albums, and take an active part in shaping the encyclopedia by submitting and voting for pictures, either from other articles, their own Flickr account or their computer via the Fotopedia client.

The web site’s interface is quite attractive and does a nice job at keeping the photos in the limelight; this isn’t about textual knowledge but rather visual knowledge, and beauty. Here’s an example of a personal Bloody Bay Wall album which pictures’ now belong to the Little Cayman encyclopedia article.

 

 Posted at 2:43 PM in Reviews: & Web winks: 4 Comments » Toggle display  Reply
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